Uncovering mysteries and making connections are two of the many exciting occurrences I encounter every day that I work at The Design Center! My job here is to catalogue the large Textile Tools collection — assigning accession numbers to objects
Emily Radomski
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This is my first semester working as a Collection Intern at the Design Center, and I could not be more excited about the tasks I’m working on! I will be tackling the cataloging and documentation of textile tools that were donated to the Design
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Maggie Kuhn, the owner of the estate from which the 1910-1930s woolen swimsuit was donated, was a sprightly old woman who dedicated her elderly years to fighting against age discrimination
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On the left: the original swim tank from the Textile & Costume Collection T&CC 1996.124.8b. On the right: a modern take designed and knitted by Emily Radomski. As a follow-up to last week’s post, textile design student Emily
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The swimwear ensemble in question is comprised of two separate pieces. The first piece is a tank for the upper body of the wearer, and the second piece is trunks for the lower half of the body. These garments adhere to a simplistic two-color
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